Thursday, May 28, 2009

“Beauty is truth”

The absurdly, and therefore aptly, named The Elegance of the Hedgehog is a meandering quest for beauty as only the French could do it. Driven by the poetic ruminations of a concierge in disguise and a twelve-year-old intellectual, the novel ranks as the very thing it explores – Art.


The Elegance of the Hedgehog by Muriel Barbery
Publisher: Europa Editions / ISBN: 9781933372600 / Price: R230.00

"Beauty is truth, and truth beauty," an English poet named Keats once concluded his raptures about a Grecian urn. Yet, as even the Romantic poet knew, beauty is sometimes superficial and truth is sometimes ugly. The French, with their carefully styled Epicurean reputations, are far better placed to appreciate the subtleties of beauty, whether found in high art or in the inanities of everyday life.

The proof is in the latest prize-winning novel by Muriel Barbery. The Elegance of the Hedgehog, translated from the French L’élégance du hérisson, contends that the beauty of Art is, together with love and friendship, the only thing worth living for – and truth simply doesn’t come into it.

Renée is the widowed concierge of a fine hôtel particulier who plays her role with especial care, down to the bunions on her feet and her disregard for the building’s snooty inhabitants. Paloma is a twelve-year-old girl living on the fifth floor of the hôtel, whose first revelation to us is that she intends to commit suicide on her thirteenth birthday in a demonstration of the pervasiveness of her family’s materialism.

The novel is related through the alternating insights of these two characters, both of whom possess an uncommonly lucid intelligence, yet disguise it beneath their expected personas of brusque concierge and rebellious daughter. However, when Kakuro Ozu moves into the building the game is up. While Renée is revealed as the noblewoman she is, Paloma finds a place where she can fulfill her final wish to be herself.

The Elegance of the Hedgehog is a deceptively elegant masterpiece, one that meanders along between haphazard observations and musings but surprises with its dogged pursuit of the nature of beauty. It is, in essence and without exaggeration, that very thing it sets out to find.


If you enjoyed this book, you should read: the English translation of Muriel Babery’s first novel, Gourmet Raptures (to be published in 2009); The Mark of the Angel by Nancy Hudson; and Night Train to Lisbon by Pascal Mercier.

Wednesday, May 27, 2009

Meet and greet

The world of books is populated by an assortment of characters (both on the printed page and off) that is impossible to categorise. But categorise it we at The Paperhouse Review will, in a manner befitting the peculiar culture that books inspire.

The Paperhouse Review is named after an exquisite little novel by Carlos Maria Dominguez, illustrated with all the reverence it deserves by Peter Sis. In The Paper House, books assume life. They become the ordering principle in the lives of bibliophiles; libraries are treated like dinner parties attended by old friends (and arch rivals) and there is a book to accompany every significant event. Although the petite novel tells about the dangers of allowing books such influence, it in no way deters, but only fuels, the reader’s lust for the bound form.

We at The Paperhouse Review want to share the peculiar culture of being a book lover with other book lovers. To cut to the heart of the matter, we want to fire in you the same awe we felt when we first opened up Domingues’ novel and reflected on a life ordered by books. There will be reviews and recommendations, features and essays, all on books and the culture they inspire. There will be links to our favourite sites and lists of our favourite books, as well as interviews with you and people like you. Join us as we throw caution to the wind and immerse ourselves in a world of books, à la The Paperhouse Review.